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Crime House Fantasy Studio (also Crime House & Crime House and Dark Rooms) is independent production company with female death fetish orientation.
Crime House does very erotic stuff, but not porn. Why we advice to offer our videos?
1. SEXY VICTIM-ACTRESSES ONLY
2. REALISTIC DEATH SITUATIONS
3. GREAT ACTING
4. CSGFX EFFECTS
5. NEW MODELS EVERY WEEK
6. ALL DEATH FETISH GENRES
7. NOT PORN BUT VERY-VERY EROTIC AND HOT
8.RUSSIAN AND EAST EUROPE HOT MODELS
9. WE DO KNOW HOW TO PLAY SEXY DEATH
10. ALL MOVIES ARE MADE IN VERY HIGH QUALITY
Featuring 994 Clips / 17118 minutes of video!
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![VIP FETISH SERVICE - VIP FETISH SERVICE
CUSTOM
«I have seen the film. Again and again and again. It's far from easy to summarise my opinion: I'll try anyway.
First of all, I was very impressed by the interpretation you gave of my story. I say "interpretation" deliberately, because not everything was obvious from my script. I knew other films of yours and expected exactly that "plus of mainstream flavour" to be added by you. You have masterfully realised the spirit of the story. In the film, I could recognise your experience in this field and your knowledge of some "depths" of the human psyche, so to speak […].
Needless to say, I was speechless how Mira played her role. It was far beyond my imagination – and this was a fantasy I have been thinking about for a long time […].
Finally, I would like to tell you that I consider your way of communicating with the customers as the added value of your production. Your transparency about the making of the film, about the different steps, your readiness to keep the customer up-to-date, and last but not least your interest in good cinematic quality (not only for a simple 1:1 conversion of the script) make me say: Ugine, you have now definitely won a regular customer. I am already thinking about a new film and I am very excited to work with you again soon.[…]»
From Customer’s Review
PLOT
The story about VIP escort service where a girl need do play dead. This movie let you be with characters in their private room and watch for secret roleplaying game between escort girl and her customer…](studio/images/vipfetishservicesceens-3b5.jpg "VIP FETISH SERVICE - VIP FETISH SERVICE
CUSTOM
«I have seen the film. Again and again and again. It's far from easy to summarise my opinion: I'll try anyway.
First of all, I was very impressed by the interpretation you gave of my story. I say \"interpretation\" deliberately, because not everything was obvious from my script. I knew other films of yours and expected exactly that \"plus of mainstream flavour\" to be added by you. You have masterfully realised the spirit of the story. In the film, I could recognise your experience in this field and your knowledge of some \"depths\" of the human psyche, so to speak […].
Needless to say, I was speechless how Mira played her role. It was far beyond my imagination – and this was a fantasy I have been thinking about for a long time […].
Finally, I would like to tell you that I consider your way of communicating with the customers as the added value of your production. Your transparency about the making of the film, about the different steps, your readiness to keep the customer up-to-date, and last but not least your interest in good cinematic quality (not only for a simple 1:1 conversion of the script) make me say: Ugine, you have now definitely won a regular customer. I am already thinking about a new film and I am very excited to work with you again soon.[…]»
From Customer’s Review
PLOT
The story about VIP escort service where a girl need do play dead. This movie let you be with characters in their private room and watch for secret roleplaying game between escort girl and her customer…")
![PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
"What's Going on?" she cries. "Who are you? Get out or I will call the police."
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
"What do you want?" she says softly.
"I need your help."
"Why would I want to help you?" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found."
"How do you know I had anything to do with those?" Melissa cries. "You have no evidence."
"Oh we have evidence all right."
She takes a white bluse out of a wardrobe and puts it on. "Why haven't you arrested me then?" she asks as she takes a skirt out of another wardrobe and puts that on.
"Because we thought you might be useful to us some day"
She laughs. "So who is it you want killed?" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
"Maria and Katarina xxx", he says. "Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it."
"That's a bit extreme," she says.
"They're not innocent. They're helping him."
"What's in it for me?"
"Your fiancé, Rodion."
"What have you done with him?" she asks angrily.
"We've only let him out of jail."
Her phone rings. She picks it up excitedly. "Rodya, is that you?...You're out? That's great..."Yes I promise...I love you too baby...See you soon...kis, kiss."
"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time."
"Okay, I'll do it. I guess I don't have much option."
"No, you don't."
"How do I know you won't kill me afterwards."
The man smiles. "You'll just have to trust us."
"I don't trust you," she replies, and you can see the conflict and fear in her face, "but I'll do it for Rodya. When do you want me to do it?"
"They're at home now."
"That's a bit sudden."
He hands her an envelope. "This is everything you need. Address, GPS coordinates, duplicate keys."
She takes the envelope from him, and you can still see the conflicting emotions in her face. "Well, I might as well get it done so."
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
"I won't scream," she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
"Walk on," he says.
"I always knew," she says.
"Of course," he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
"Rodya," she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.](studio/images/permissiontokillcoverdsc-5bc.jpg "PERMISSION TO KILL - PERMISSION TO KILL
FETISH ELEMENTS
Shooting, Shooting to the chest, Shooting to the back, Death Stares, Blood from mouth, Dying At Lover’s Hands
CAST: Mira Green, Xena, Sally, Max, Alex
CUSTOM
«That is absolutely AMAZING! So sexy. I love the way the camera dwells on the corpses. Well done! You have surpassed yourselves».
The story starts as a man slips a key into the keyhole of an apartment front door and lets himself into the bedroom. Melissa (I will call her that here but you can call her whatever you like) comes rushing in from the bathroom, completely naked.
\"What's Going on?\" she cries. \"Who are you? Get out or I will call the police.\"
The man draws a gun from his jacket and points it at her, putting his finger to his mouth to tell her to be quiet. He pulls from his outer jacket pocket an ID card which he shows to her. She sighs and goes quiet.
\"What do you want?\" she says softly.
\"I need your help.\"
\"Why would I want to help you?\" she asks, as she opens a drawer, takes out a black bra and panty set. She puts on the panties, then the bra.
\"Remember Fyodor xxx, the journalist who was investigating the business affairs of Dmitri xxx [use whatever name you want]? the one who was found on a dump with half his face missing?\"
She looks at him, saying nothing, but knowing exactly what he means. He continues as she takes a pair of black stockings out of another drawer, sits down and puts them on.
\"And Valeria xxx, wife of Sergei xxx, who wanted a divorce and was going to take him for millions? Her body was never found.\"
\"How do you know I had anything to do with those?\" Melissa cries. \"You have no evidence.\"
\"Oh we have evidence all right.\"
She takes a white bluse out of a wardrobe and puts it on. \"Why haven't you arrested me then?\" she asks as she takes a skirt out of another wardrobe and puts that on.
\"Because we thought you might be useful to us some day\"
She laughs. \"So who is it you want killed?\" She takes a pair of boots out of the bottom of a wardrobe and puts them on. The man takes a photograph out of his pocket.
\"Maria and Katarina xxx\", he says. \"Daughters of Pyotr xxx. We've been warning him to lay off with his investigations. He's in the US so he's hard to reach. We told him that if he didn't back off his daughters would be in danger and he ignored the threat. So now we have to act on it.\"
\"That's a bit extreme,\" she says.
\"They're not innocent. They're helping him.\"
\"What's in it for me?\"
\"Your fiancé, Rodion.\"
\"What have you done with him?\" she asks angrily.
\"We've only let him out of jail.\"
Her phone rings. She picks it up excitedly. \"Rodya, is that you?...You're out? That's great...\"Yes I promise...I love you too baby...See you soon...kis, kiss.\"
\"If you don't go through with it he goes back to jail. And it'll be a much worse jail this time.\"
\"Okay, I'll do it. I guess I don't have much option.\"
\"No, you don't.\"
\"How do I know you won't kill me afterwards.\"
The man smiles. \"You'll just have to trust us.\"
\"I don't trust you,\" she replies, and you can see the conflict and fear in her face, \"but I'll do it for Rodya. When do you want me to do it?\"
\"They're at home now.\"
\"That's a bit sudden.\"
He hands her an envelope. \"This is everything you need. Address, GPS coordinates, duplicate keys.\"
She takes the envelope from him, and you can still see the conflicting emotions in her face. \"Well, I might as well get it done so.\"
The scene moves to a house (or apartment) where we see Melissa letting herself in at the front door. She moves to the kitchen, at the back of the house, and looks out the window. Satisfied that she has seen something she steps back behind the door. She takes her gun out of her handbag and fits a silencer on it.
The girls come in, talking and laughing, wearing tennis dresses and carrying rackets. Melissa emerges from her hiding place pointing the gun at them.
One girl screams and drops her racket before Melissa shoots her in the cleavage. She falls to the ground.
The second girl puts down her racket (on a table, counter, whatever is within her reach).
\"I won't scream,\" she says quietly.
Melissa shoots her, also in the cleavage, and she falls. She walks over to where the girls are lying close to one another on the ground, on their backs, each clutching their wound with one hand, clearly in pain. They reach out the other hand to one another and touch. Melissa shoots each of them again in the left breast. One coughs up blood, then the other, then one by one they spasm and die. Melissa checks the pulse of each corpse then leaves through the front door.
As she steps outside a gun is pointed at her head. She turns to look. It's the man who came to her apartment. He takes her gun from hand softly. She looks into his eyes.
\"Walk on,\" he says.
\"I always knew,\" she says.
\"Of course,\" he replies.
She turns away and begins to walk away. There is fear on her face but she tries to walk in a slow and measured way. When she has reached a certain distance the man shoots her in the back.
We see the wound in her back as she throws her arms up and grunts with pain. We see her from the front with a bigger stain from the exit wound on her chest. She staggers forward and collapses, rolling onto her back. She is choking and starts to cough blood.
As the camera dwells on her we see the shadow of another man approaching and standing over her.
\"Rodya,\" she whispers. Then she spasms one last time, coughs up a little blood and ties.
The man bends down, holds her hand in both of his, takes it and presses it to his cheek, then lets it drop. He feels her neck, kisses her lips and walks away.
The first man walks up to the corpse. Bending down he wipes Melissa's gun and places it in her hand before walking away.
The camera pans over the corpse.")
![A MESSAGE BY THE MESSENGER - Louise [wearing the costumes to be specified by me later] walks briskly through a building, a lot focus on her feet.
Max is pacing in a room nervously. He got a call on his mobile phone. From the phone he heard “boss, the bitch is here”
Max said “send her…” before he can finish, the door burst open and Louise stormed in.
“Hello, welcome, Ms….” Max put up a smile as best as he could and reached out his hand for a shake
Louise is not taking any of it. Nonchalantly, she walked close enough to Max with their nose almost touching, she delivered the message “Mr.Petrov, you are addicted to alcohol and women, you almost lost the chip and you killed two undercover agents. You are putting the Corporation in grave danger. You should consider yourself lucky because the Boss appreciated your contribution in the past. Now, you will relinquish all the power and leave Moscow within 24 hours and never to be seen again” with that, she shoved a letter into Max’s hands.
The pair stared at each other for a second, then Louis’s expression softens. “ I am sorry Max, but this is already the best I can get for you. You cheated on me for those police bitches you killed, I hope they were worth it…”
“No of course not, they can’t even be compared with you. I am so sorry I made the mistake” Max flattered and pulled Louise in for a kiss. Louise tried to resist initially but quickly give in. The pair made out, Max pulled Louis’ panty down and threw it away, Louise stood facing the wall and Max did her from behind, without even taking her clothes off.
After done, Louise pulled away with a somber expression, “Now, this is the best I can do for you, I still love you but you have to go while you still can”. With that she turned and walked towards the door, without even bothering with picking up her panty. A lot show of her feet and legs again.
Max stared at her back, turning to a menacing look. He produced a hidden pistol and shot her 2 times in the middle of her back. Small entry wounds, but big exit wounds on her front in the stomach area. Louise gasped and stunned, she didn’t expect Max will shoot her. She looked down at the holes on her stomach, fumbled with the jagged edge of the hole. She turned around to face Max.
But before she can say a word, Max shot her 2 times again, on her left chest right through her heart. Small entry wound, but showing the large exit wound on her back please. Her body jerked and twisted to the left.
Just when she composed herself, 1 more shot went right thru her neck (slightly off the Center to the left please). She started to gasp for air apparently the shot severed her windpipe.
Max fired 1 more shot hitting her on the left cheek bone. Louise’s head snapped backwards but recovered immediately. She looked confused, touching the wound with her clean finger and looked at the finger, she saw blood.
Her expression bewildered, with a coarse voice (because neck was hit) she said “ You? You shot my face?”
Max fired the last killer shot. 1 shot on Louise’s forehead above her left eyebrow. With a puff and blood and brain spattering backwards. Her head snapped back again and this time her body collapsed onto the floor, in a twisted but sexy position.
Her eyes wide open, stare into the ceiling and she is dead. A pool of blood mixed with brain forming under her head. Some blood also dripping out of the wounds on her head and face
After a long and slow camera view of her beautiful corpse.
Max walked to Louise’s body he checked each wound. Turning her body during the process to show clearly the 4 wounds on her back and see the blood and brain mixed in her hair on the back of her skull.
He caressed her bare legs for long time. Then examined her shoes. This is the chance to show clearly the size 41 shoe size mark (important!). He took time to worship her feet.
Max said: “ sorry I had to do this. I need to send a message back. I’m not someone they can push around like this. Oh by the way you asked me if the two police women were worth it? Well in fact they are. Somehow I think you look a lot alike the first one I fucked. You also have nice big size 41 feet, but you don’t appear to be nearly as tough. The first policewoman took more than 40 bulleted and the second around 20, you are out after what, just 7 shots?”
With that word, he stood up and shot Louise 2 more times on her forehead: “ Sorry darling, I want to make you look a bit tougher hahaha”.
Another long and slow view of her body (now with all the 9 wounds )
Max started to remove Louise’s clothes meticulously piece by piece. But kept her shoes on (important) When she is totally naked, We shall see clearly the wounds on her flesh, Max flips her around rudely, then we also see the matching wounds on her back clearly. Very important to be meticulous here.
Final scene:
Max walked out and talking on his phone:” yes it’s time for us to fight , I just used that bitch to send them a message “.
Camera switches back to the room. Louise’s naked body is popped up sitting on a chair head against the wall as head support. Her eyes wide open, mouth slack with blood oozing out from the corner of her mouth. (Her body posture will be shown to you with a photo later ).. Her body is slightly cleaned so less bloody but all the 9 wounds are clearly visible. One of her shoe is still on her feet, the other was removed. The shoe was laid next to her feet so that the shoe size mark is visible.
A final very slow and detailed view of her body, wounds, and of course feet and shoes, and the shoe size.](studio/images/ambtmcover-2c2.jpg "A MESSAGE BY THE MESSENGER - Louise [wearing the costumes to be specified by me later] walks briskly through a building, a lot focus on her feet.
Max is pacing in a room nervously. He got a call on his mobile phone. From the phone he heard “boss, the bitch is here”
Max said “send her…” before he can finish, the door burst open and Louise stormed in.
“Hello, welcome, Ms….” Max put up a smile as best as he could and reached out his hand for a shake
Louise is not taking any of it. Nonchalantly, she walked close enough to Max with their nose almost touching, she delivered the message “Mr.Petrov, you are addicted to alcohol and women, you almost lost the chip and you killed two undercover agents. You are putting the Corporation in grave danger. You should consider yourself lucky because the Boss appreciated your contribution in the past. Now, you will relinquish all the power and leave Moscow within 24 hours and never to be seen again” with that, she shoved a letter into Max’s hands.
The pair stared at each other for a second, then Louis’s expression softens. “ I am sorry Max, but this is already the best I can get for you. You cheated on me for those police bitches you killed, I hope they were worth it…”
“No of course not, they can’t even be compared with you. I am so sorry I made the mistake” Max flattered and pulled Louise in for a kiss. Louise tried to resist initially but quickly give in. The pair made out, Max pulled Louis’ panty down and threw it away, Louise stood facing the wall and Max did her from behind, without even taking her clothes off.
After done, Louise pulled away with a somber expression, “Now, this is the best I can do for you, I still love you but you have to go while you still can”. With that she turned and walked towards the door, without even bothering with picking up her panty. A lot show of her feet and legs again.
Max stared at her back, turning to a menacing look. He produced a hidden pistol and shot her 2 times in the middle of her back. Small entry wounds, but big exit wounds on her front in the stomach area. Louise gasped and stunned, she didn’t expect Max will shoot her. She looked down at the holes on her stomach, fumbled with the jagged edge of the hole. She turned around to face Max.
But before she can say a word, Max shot her 2 times again, on her left chest right through her heart. Small entry wound, but showing the large exit wound on her back please. Her body jerked and twisted to the left.
Just when she composed herself, 1 more shot went right thru her neck (slightly off the Center to the left please). She started to gasp for air apparently the shot severed her windpipe.
Max fired 1 more shot hitting her on the left cheek bone. Louise’s head snapped backwards but recovered immediately. She looked confused, touching the wound with her clean finger and looked at the finger, she saw blood.
Her expression bewildered, with a coarse voice (because neck was hit) she said “ You? You shot my face?”
Max fired the last killer shot. 1 shot on Louise’s forehead above her left eyebrow. With a puff and blood and brain spattering backwards. Her head snapped back again and this time her body collapsed onto the floor, in a twisted but sexy position.
Her eyes wide open, stare into the ceiling and she is dead. A pool of blood mixed with brain forming under her head. Some blood also dripping out of the wounds on her head and face
After a long and slow camera view of her beautiful corpse.
Max walked to Louise’s body he checked each wound. Turning her body during the process to show clearly the 4 wounds on her back and see the blood and brain mixed in her hair on the back of her skull.
He caressed her bare legs for long time. Then examined her shoes. This is the chance to show clearly the size 41 shoe size mark (important!). He took time to worship her feet.
Max said: “ sorry I had to do this. I need to send a message back. I’m not someone they can push around like this. Oh by the way you asked me if the two police women were worth it? Well in fact they are. Somehow I think you look a lot alike the first one I fucked. You also have nice big size 41 feet, but you don’t appear to be nearly as tough. The first policewoman took more than 40 bulleted and the second around 20, you are out after what, just 7 shots?”
With that word, he stood up and shot Louise 2 more times on her forehead: “ Sorry darling, I want to make you look a bit tougher hahaha”.
Another long and slow view of her body (now with all the 9 wounds )
Max started to remove Louise’s clothes meticulously piece by piece. But kept her shoes on (important) When she is totally naked, We shall see clearly the wounds on her flesh, Max flips her around rudely, then we also see the matching wounds on her back clearly. Very important to be meticulous here.
Final scene:
Max walked out and talking on his phone:” yes it’s time for us to fight , I just used that bitch to send them a message “.
Camera switches back to the room. Louise’s naked body is popped up sitting on a chair head against the wall as head support. Her eyes wide open, mouth slack with blood oozing out from the corner of her mouth. (Her body posture will be shown to you with a photo later ).. Her body is slightly cleaned so less bloody but all the 9 wounds are clearly visible. One of her shoe is still on her feet, the other was removed. The shoe was laid next to her feet so that the shoe size mark is visible.
A final very slow and detailed view of her body, wounds, and of course feet and shoes, and the shoe size.")
